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| Toyen - Dívka s mandlovýma očima |
For some reason, finding a single painting I would identify with well enough is a very challenging task for me. I think there are many aspects to one person. In one art piece, I see a small reflection of this part of me, in another a completely different one.
I like Toyen's portraits and some of their many aesthetic drawings of women. The ones with sad eyes are the best. I don't enjoy their paintings as much, they tend to often feel too polished and kitschy for my taste. But their story and personality is something I can easily reflect myself in, in a completely unique way.
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| Toyen - Spící, 1937 |
Toyen, born Marie Čermínová, was a Czech-French gender nonconforming artist and a significant figure in Czech history. They chose a genderless pseudonym, wore men's clothes and even used Czech masculine pronouns. (Frankly, they refused to use the feminine ones) And despite all that, they are being brushed off of any possible queerness by most media, under the calming assumption of them not feeling equal in the male dominated scene of the Czech avant-garde movement of the 20th century.
But if you read about their life and relationships with other artist of that movement, I think they felt more than comfortable in their presence. Since Toyen desperately didn't want their birth name to represent them in their first exhibition, Jaroslav Seifert, their friend and a fellow member of the group Devětsil, came up with the pseudonym Toyen while hanging out together at their favorite cafe, writing it on a piece of tissue paper.
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| Painters Štyrský and Toyen wearing protective masks, 1929 |
Apart from erotic art and recognition of lesbians in their work, Toyen's gender identity or sexual orientation is not known, thus left for interpretation. But still, to the Czech (queer) art community, Toyen is somebody we treasure. A revolutionary figure that inspires us to be ourselves. Their quote "Jsem malíř smutnej" a witty and masculine way of saying "I'm a sad painter" is almost a catchphrase. I see all sorts of young Czech artists using it as a humorous way to flex their art history knowledge. Or simply because it's relatable.
To me, Toyen was somebody I aspire to be. Or at least to be in their position. A bold artist, respected and loved by their community and friends.



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