Ever is Over All is an audio-video art installation by Pipilotti Rist, an eccentric, feminist, color loving visual artist from Switzerland. The piece in question consists of two overlapping projections projected onto a corner wall, two players and one sound system.
https://www.youtube.com/watch?v=a56RPZ_cbdc
One half of the piece is a colorful, oversaturated field of flowers. In the other half, you see a woman in a white dress carelessly strutting down the street. She is wielding a flower and smashing windows of cars parked alongside the sidewalk with the said flower - all that with a smile on her face. A female police officer walks by, not stopping the woman, but saluting her with a smile, as if telling her "I understand" or "Good job, sister"
Throughout this scene, a funky yet calm, almost exotic tune plays, with a female voice humming a dreamy melody and birds chirping ocassionaly. There is a powerful point, where the music stops for a moment and you only hear the sound of a car window breaking.
Society's treatment and view on women throughout history has been
fueled by sexism and misogyny. For a long time, we have been fed with
unrealistic expectations and roles in regards to the gender we have been
assigned at birth. Women are often seen as gentle and sweet, used as a
decoration, incapable, superficial and marketable. But a human being is more than a
simple label and such constraints of thinking and acting are not only
unrealistic, but also harmful.
Rist has said in an interview "Color is Dangerous" that the inspiration behind this piece was her own experience of mistreatment and the idea of women being a mere decorative item:
"Ever is Over All came from a very weak moment, when a guy, news redactor, gave me carte blanche (full discretionary) to do all the pages... I wanted to have a picture of an old lady in the title and he said: 'You have to change the cover, we will not sell this.' And I just had a picture that I would smash his car."
In this interview, you can catch Rist mentioning the fuzzy visuals and describing her work as "painting with video". She has also compared video art to handbags, which she has quite a collection of. "There is room in them for everything: painting, technology, language, music, movement, lousy flowing pictures, poetry, commotion, premonitions of death, sex, and friendliness."
The flower theme and oversaturated and fuzzy look of the video gives a dreamy feeling, that strongly contrasts with the violence aspect, but doesn't disrupt the dream at all. The viewer is easily transported into the world of the woman, who is unbothered and the aspect of violence is natural in her world.
To most people, including me at first, Pipilotti's work screams feminist art. This is what she had to say about critics categorizing her as that: "Politically, I am a feminist, but personally, I am not. For me, the image of a woman in my art does not stand just for women: she stands for all humans. I hope a young guy can take just as much from my art as any woman."
With that said, Ever is Over All doesn't have to be necessarily feminist, but it is open to even more interpretation than what I thought of at first glance, such as general freedom.
As a person that happens to identify as nonbinary, I really enjoy this statement. Pipilotti understands how important mutual respect and understanding of everyone in society is and she acknowledges the unfortunate twisting of actually important aspects in 3rd wave feminism, such as feminists "hating all men" or a seemingly endless list of "made up genders" (which are actually all umbrella terms), resulting in misunderstanding with the masses and general mockery of the whole movement.
Pipilotti Rist is overall a very charming and fun artist with many interesting aspects about her, from her fashion sense to her witty personality and undeniably honest passion for what she does. I mean, who else would name their child Himalaya? From climate change advocacy to Vogue interviews and mainstream pop music, she has something for everyone.


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